The noisy library of New Zealand music. Then they would break out and do a kapa haka song which Mum and her cousins composed.
It was far more than just entertainment but an important expression of culture. Finding her own way in the music industry and taking some of the songs she heard on the marae and at family gatherings was not always easy or understood, particularly when she improvised or added her own elements and styling to songs that "Black person profile" sometimes over a hundred years old.
Initially Whirimako was unaware of anyone performing in te reo within the music industry other than her cousin: In further exploring her whakapapa she was delighted to discover music ran in the family generations back. When she was about 15 years old she was in a Bay of Plenty covers band that won a talent quest and a residency at the Te Rapa Tavern.
On turning 18, her older brother bought her a one-way ticket to Australia. The hope was that a relative with contacts in the music industry and ocean cruise bookings, would give her a kick
There were no contracts or cruises, so she enrolled at the Sydney Conservatorium of Music to study music theory, improve her skills at the piano and learn to read and write music in By this stage Whirimako had two children and was co-managing a pizzeria-video shop with her partner. That was part of the journey of coming back to who I am. Whirimako was determined to perform original and traditional songs in her own style, sustained by a powerful
Black person profile impression.
She began to take up the challenge. We struggled though, because we were all poor and solo mums. Cultivate Peace but after writing and preparing a number of songs she put that project on hold.
She became deeply anxious, even taking up smoking to hide her inner shyness and concerns about how whanau and iwi might react to her version of songs from the marae. My gut feeling was I knew that would happen.
In each area, they come through and tautoko [support] me. We all love music and I value all their opinions. Mai Music had been wanting to back her career but she held off until she got into a sticky situation over a recording project which, after a false start, she agreed to strip back and start again.
It was based on a collection of poems written by her mother Anituatua Black, and older sister Rangitunoa Black, set
Black person profile music composed by Whirimako and her sister, and arranged by Haines.
It was released in May She relented and admitted to the artist she had no money but could offer a copy of her newly released CD. Taylor, well connected in the music industry, played it to English musician Jamie Catto, who along with Duncan Bridgeman formed electronic world music Black person profile 1 Giant Leap.
The connection with 1 Giant Leap resulted in an invitation to join the innovative world music duo at the Athens Song Festival in June in the lead up to the Athens Olympics. Immediately after the Athens concert, 1 Giant Leap asked her to join them at the Glastonbury Music Festival, but she declined.
On reflection, Whirimako says that was one of her great regrets. Who knows what might have happened. Mai Music general manager Victor Stent said: You know, the bird that Black person profile all that fancy carry on. They don't like that. They like to be solid and firm. Music certainly reveals my soul. Reid wrote on his Elsewhere site: Her proudest moment, when her lifelong anxiety seemed to disappear, was performing as a guest vocalists with the NZSO at the year anniversary of Te Papa's opening, in Russel Walder, known for his own compositions on the Windham Hill Records label, joined Whirimako again, assembling top players for the album, including Michael Chaves on guitar, Aron Ottignon on Kim Paterson on trumpet and Jonathan Zwartz on bass.
Womad and New Zealand music. Arts Foundation profile on Whirimako Black.